Jan Bruegel the Elder has also been suggested as a possible teacher. She has also been linked to Antwerp artists Hans van Essen and Jan van der Beeck. However, none of his works are dated, although some of the copper plates were stamped with dates from 1606 to 1609 by their supplier. Beert began his career as a still-life painter when he became a master of the Antwerp guild in 1602. Many scholars believe her work closely resembles that of Osias Beert and suggest she may have been his pupil. Scholars speculate that she may have been the daughter of a painter, and thus not required to be included in the apprenticeship records. While most artists and apprentices were included in records of the local Guild of Saint Luke, no record of Peeters' has been found in Antwerp or centers of art in the Dutch Republic. Her style suggests training in Antwerp, an early center of still-life specialization. Peeters' first-known painting, signed and dated 1607, reflects the technical and compositional skill of a trained artist. Still Life with Flowers and Gold Cups of Honor, 1612, with reflections of the artist on the bosses of the cup at right No record indicating Peeters' date of death has been found however, scholars speculate various dates: in or after 1621 after 1654 after 1657 16. Because of the number of apparent copies of her work by various hands, some speculate that she may have headed a small school of artists. Some have suggested that in light of there not being any evident work by Peeters after 1621, she ceased painting after getting married, as for example Judith Leyster effectively did. Peeters was established in Amsterdam by 1611 and documented in The Hague in 1617. Some scholars doubt that those early works could have been done by one so young and have posited that she was born in the 1580s. A baptism in 1594 would imply that her 1607-dated paintings were done when she was 12 or 13. However, both Clara and especially Peeters were common names in Antwerp. A second document indicates a marriage between a Clara Peeters and Henricus Joosen on, in the same church. The city of Antwerp's archives hold a record of a Clara Peeters, daughter of Jean (Jan) Peeters, baptized on in the Church of St. It is generally agreed by scholars that her work points to her being a native of Antwerp. Still Life, 1607, signed "CLARA P 1607", also with a P-shaped pretzelÄetails of Peeters' life are unclear.
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